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Syncron AU-7A

Manufacturer:

Syncron

Model:

AU-7A

Country of Manufacture:

United States

Microphone Type:

Condenser

Polar Pattern:

Cardioid

Production Start Year:

1965

Rarity:

4
Syncron AU-7A

Audio Recordings:

Speech (male) recorded with the Syncron AU-7a. The microphone for this recording has been adapted to run on phantom power

Duration: 0:31Size: 0.6 MBFormat: MP3

Multiple quality options available

Nylon string guitar recorded with an XY pair of Syncron microphones.

Size: 1.2 MBFormat: MP3

Multiple quality options available

Impulse Response File:

Syncron IR file

Syncron.wav

Format: VND.WAVESize: 0.5 MB

Frequency Response:

Frequency Response Graph

Microphone History:

From a contemporary advertisement

"THE NEW SYNCRON AU-7a CONDENSER MICROPHONE FOR PREMIUM SOUND PICKUP AT A FRACTION OF USUAL COST!

At last! An American made quality condensel microphone in a self-contained 9¾" unit that is reshaping the recording industry. Now P. A. engineers, broadcasters, studios and audiophiles can utilize the full potentials of "condenser" sound without the bulk and expense of conventional condenser mikes. Connect the cable and it's ready to go. Over 2500 hours transistor battery life with low cost mercury cells. Frequency range: =3 db 40-20,000. Directional characteristics: cardioid, with front to back ratio of better than 20 db. Output level: -50 db. Distortion: less than 0.5%. Rugged diaphragm provides broad, smooth frequency response with total absence of annoying peaks. Maximum sensitivity, PRICE $169.50"

MoMics view:

The Syncron Corporation are generally credited with launching the first transistorised capacitor microphone back in 1965 - the AU-7a, which was priced at $169.50 USD. In their own marketing, the manufacturer claimed to have built "the first microphone to successfully employ the Field Effect Transistor." At the time, competitors such as Neumann were selling microphones with tube circuits such as the KM64 and U67 which required separate power supplies. The Syncron mics ran on batteries which saved lugging around an extra box and cable. I know we all love and revere the old Neumann tube microphones, but few would argue that they take longer to set up and warm up than a solid state mic.

The AU-7a was also branded as Fairchild F22, which appears to be identical from the outside. However, our own investigations have found that the Fairchild branded mics sometimes have a dual sided capsule whereas the Syncron mics have a diaphragm on one side only. We are confident that these are original capsules because of the distinctive blue plastic used.

Syncron AU7a mics 0624 and 0615 are single sided.

Fairchild F/22 serial numbers 50512 and 50366 have dual sided capsules.  However, the rear capsule is not connected so why is it there? Perhaps the manufacturer had plans to offer a multi-pattern version but we have never seen such a microphone. Alternatively the rear side could be used as a back up if the

(Four mics is not a statistically useful set but we hope to add to this later. Thanks to Garrin Walker for additional information.)

Technical Description:

Manufacturer's data:

FREQUENCY RANGE: 30-18000 Hz at ±2.5 dB

DIRECTIONAL CHARACTERISTICS: Cardioid, 20 db Front to back ratio

OUTPUT LEVEL: - 45 dBm (referred to 10 dyne/cm')

DISTORTION: Less than 0.5% at 100 dyne/cm

EQUIVALENT NOISE: Less than 20 db SPL

BATTERY LIFE: 2500 hours

LENGTH: 9 3⁄4" DIAMETER: 1 7⁄8"

WEIGHT: 1lb. 7 oz.

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